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The carving is all-present with no losses and the ebonisation is in mainly sound order with expected areas of wear in the right places
1800 or earlier
the four rectangular containers stencilled in ivory or gilt with various estates or company names
either scratched out as in the bust of Britten or as little scooped-out hollows as we see here
free flowing wavy short to medium length graying brown hair
A Beautiful Early 19thC Italian Neoclassical Painted Wood & Gesso Trumeau Mirror c.1820-30 sub-Art & Sculpture The carving is all-present withOrigin: Italian Period: Early 19thC Provenance: Unknown Date: c. 1820 30 Height: 61. 75 Width: 25. 5 Depth: 2. 5 (at extremities) The very pretty early nineteenth century painted pine wood and gesso trumeeau mirror, standing at over five feet, having a divided rectangular plate within a rosette, honeysuckle and palmette surround with acanthus angles all picked out in bone against a shadow blue green grey ground, surmounted by an applied frieze panel